
On View: May 1-May 31
The Kitchen at Westbeth (163B Bank Street, 4th Floor Loft)
Opening day hours:
Opening Reception: Saturday, May 10, 2025, 4–6pm
Time:
Gallery hours: Wednesday–Saturday, 12–6pm (Free) | Performances at variable, unannounced times during gallery hours on May 9, 10, 17, 24, and 31 (Free, No RSVP Required))
Five pairs of sculptures wrought from chrome cantilever chair structures stand in impermanent positions throughout The Kitchen's sunlit loft. These abstracted chairs hold horizontal platforms that allow bodies to recline in specific and unexpected ways. The sculptures wait for bodies to reshape themselves around them, anticipating the possibility of use. Prostrate on these unconventional supports, suspended performers likewise await further movement. Animated by a transgender politics that questions the norms that govern embodied life, Hands and Knees extends Gordon Hall's investigation into the politics of vulnerability and corporeal support. Performers demonstrate possible engagements with the sculptures in weekly performances that emerge from Hall's inquiry into the paradoxical interplay of dependency and liberation in moments of waiting.
Hall's approach to sculpture is shaped by their background in dance, emphasizing how we coexist with objects in shared space: "From the start, I was thinking about our bodies as incredible objects that can be trained and transformed—not in a degrading way, but as a way of respecting the fundamental power of the physical world, our bodies included. I make sculpture as a way of exploring these embodied possibilities." For that reason, Hall's sculptures always precede their accompanying choreography, which is generated in response to the sculptures. Ultimately, Hands and Knees imagines bodies emancipated from their prescribed uses. "Part of what I love about objects is that they always exceed what we might hope for them, even as the maker," says Hall. "There's a politics of taking materiality seriously on its own terms, not as a mere tool for our goals."
Stripped of their seats and backs and reshaped into new geometric structures, the hardware of the Breuer-popularized and mass-reproduced chair is both recognizable and abstract. The snaking steel forms once designed for support now open themselves to new uses. Draped over the sculptures, performers carry one another throughout the space, ultimately reorganizing the object's positions in the gallery. They rest in their new arrangement—static but animated with potential—until they, once again, encounter other constantly transforming objects: human bodies.
Performances will occur in the gallery at variable, unannounced times during regular gallery hours on May 9, 10, 17, 24, and 31. Free, no RSVP required. Performers include Justin Cabrillos, Margaret Cirino, Samie Konet, Daniel Ricardo Rocha, Arzu Salman, Nikkie Samreth, evan ray suzuki, and Karley Wasaff.
Gordon Hall: Hands and Knees is organized by Matthew Lyons, Curator. Production by David Riley, Production & Exhibitions Manager, and Tassja Walker, Production Supervisor, The Kitchen.
About Gordon Hall
Gordon Hall (1983, Boston) is an artist whose work encompasses sculpture, performance, and writing. Hall has had solo presentations at the Curtis R. Priem Experimental Media and Performing Arts Center at Rensselaer, Troy, New York; MIT List Visual Arts Center, Cambridge, Massachusetts; Portland Institute for Contemporary Art, Oregon; Temple Contemporary, Tyler School of Art, Philadelphia; and The Renaissance Society, Chicago; among other venues. Gordon Hall is represented by DOCUMENT in North America and Hua International in Europe and Asia, and is an Assistant Professor of Art at Vassar College.
FUNDING SUPPORT & CREDITS
The Kitchen’s programs are made possible in part with support from The Kitchen’s Board of Directors, The Kitchen Global Council, Leadership Fund, and the Director’s Council, as well as through generous support from The Amphion Foundation, Inc., Bloomberg Philanthropies, The Aaron Copland Fund for Music, Cowles Charitable Trust, The James and Judith K. Dimon Foundation, Jerome Robbins Foundation, Ford Foundation, Howard Gilman Foundation, The Harkness Foundation for Dance, Marta Heflin Foundation, Lambent Foundation Fund, a fund of Tides Foundation, The Andrew W. Mellon Foundation, Mertz Gilmore Foundation, New Music USA, The Royal Norwegian Consulate General in New York, Ruth Foundation For The Arts, The Fan Fox and Leslie R. Samuels Foundation, Simons Foundation, and Teiger Foundation, Andy Warhol Foundation for the Arts; and in part by public funds from the Manhattan Borough President, the National Endowment for the Arts, New York City Department of Cultural Affairs in partnership with the City Council and New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. This project was supported, in part, by a Foundation for Contemporary Arts Emergency Grant and a Vassar College Research Grant.
The Kitchen acknowledges the generous support provided by the Collaborative Arts Network New York (CANNY). As a coalition of small to mid-sized multidisciplinary arts organizations, CANNY is committed to strengthening the infrastructure of arts nonprofits throughout New York.
For more information about CANNY, please visit https://can-ny.org/.